透過小提琴優美的音色旋律,可以從一個演奏者身上感覺到無限的熱情。而這些動聽的音樂如果沒有良好的小提琴基礎與良好的技巧,算你心中有再多的音樂也無法透過樂器表達出來!雖然小提琴看似簡單,但小提琴基礎可是要紮紮實實的努力練習,才能有好的演奏喔~以下這些是初學小提琴右手持弓運弓遇到的一些問題!
 
 
◈ 初學小提琴在運弓的時候,很難拿的的穩定…….運弓時弓會抖,自然拉出抖音,使得空弦聲音不干淨,中半弓特別明顯。
 
你可能抓弓太用力,因為抓住弓的力量無法很穩定,因此會造成抖動的現象,因為中半弓的位置,弓的彈性比較柔軟,因此這個現象會特別明顯。
 
在拿弓的時候,盡量去體會弓的重量是放在琴上的,手只是在「拖」這個弓在滑行,不是「抓」著弓,硬要弓往某個方向去。
 
如果以車子比喻,弓是貨櫃連結車的那個貨櫃,手是那個車頭,貨櫃是藉由車頭代動拖行,不是與車頭連成一體,如果你抓太用力,你的車就變成公車,而不是連結車。
 
 
◈ 在運弓時力量抓不穩忽大忽小,很難在實際操作上理解-上弓利用食指,下弓利用小指平衡。老師講的聽得懂,不過很難在操作上理解。
 
這個問題跟上面有關,因為抓弓的力量太大,所以力量會不穩,只要是用力的話,力量不太可能穩定,因此要盡量不用力,靠地心引力本身的重力(弓的重量或手的重量),才能得到穩定的壓力。
 
◈ 運弓不能穩定在琴眼附近的位置,發出分岔的聲音,當要看譜時,分岔就來了。

發出分岔的聲音應該也是拿弓的問題,如果看譜會影響運弓的時候,可以先左右手分開練習,單獨練習左手使得看譜跟左手運作比較順暢的時候,再加上右手問題會比較少。
 
◈ 我的手腕在運弓時很僵硬,很難體會到手腕帶動運弓,只能感覺到我利用大手臂不動在劃線……
 
手腕僵硬有一部分是一種心理障礙,因為一個手腕有活動的運弓,會讓人產生弓有在轉彎而沒有拉直的錯覺,因此初學的人為了想要將弓拉直,因此不太敢動到身上太多關節,因此反而造成運弓不直的情況。
 
然後另外一個原因是,任何關節,不管是手腕或者手指,一開始練習都還是會比較僵硬,因為我們平常不會那樣用我們的手,所以可以利用一些特別活動的方式,來幫助他的動作變得比較靈活一些。
 
◈ 小提琴右手手持弓用力的部位
 
拿弓的手勢分為兩派
 
第一種是重心在食指,小拇指幾乎不用到力;
 
第二種是重心在中指、四指、小拇指也要幫忙控制弓;
 
無名指永遠只是自然地擺在弓上,沒有用力
 
 
重磅!!周杰倫最偉大的作品 小提琴youtube視頻教學來嘍!
 
 
 
 
 
 
 
 
Through the beautiful tone and melody of the violin, one can feel the infinite enthusiasm from a player. And if you don't have a good violin foundation and good skills for these beautiful music, no matter how much music you have in your heart, you can't express it through the instrument! Although the violin seems simple, the basics of the violin need to be practiced solidly and hard to have a good performance. The following are some of the problems encountered by beginner violinists with bows and bows in their right hands!
 
◈ When a beginner violin is carrying a bow, it is difficult to hold it steady…. The bow will vibrate when the bow is carried, and the vibrato will naturally be drawn, which makes the sound of the empty strings unclean, especially the middle half bow.
 
You may grasp the bow too hard, because the strength of grasping the bow cannot be very stable, so it will cause the phenomenon of shaking. Because of the position of the middle half of the bow, the elasticity of the bow is relatively soft, so this phenomenon will be particularly obvious.
 
When holding a bow, try to realize that the weight of the bow is placed on the violin, and the hand is just "drag" the bow and slide, not "grabbing" the bow, forcing the bow to go in a certain direction.
 
If we take a car as an analogy, the bow is the container that connects the container to the car, and the hand is the front of the car. The container is towed by the front of the car, not connected to the front of the car. If you grab too hard, your car will become a bus. rather than a linked car.
 
◈ When the bow is held, the strength is unstable and sometimes small, and it is difficult to understand in actual operation – the upper bow uses the index finger, and the lower bow uses the little finger to balance. I can understand what the teacher says, but it is difficult to understand the operation.
 
This problem is related to the above, because the force of grasping the bow is too large, so the force will be unstable. As long as the force is exerted, the force is unlikely to be stable, so try not to exert force, relying on the gravity of gravity itself (the weight of the bow or the hand of the hand) weight) to obtain a stable pressure.
 
◈ The bow cannot be stabilized near the eye of the piano, and it makes a bifurcation sound. When looking at the score, the bifurcation comes.
 
The bifurcation sound should also be the problem of holding the bow. If reading the music will affect the bow, you can first practice with the left and right hands separately. When practicing the left hand alone makes reading music and the left hand operate more smoothly, plus the right hand will have less problems. .
 
◈ My wrist is very stiff when I move the bow, it is hard to feel that my wrist is driving the bow, I can only feel that I use my big arm to draw the line without moving…
 
Wrist stiffness is partly a psychological obstacle, because a wrist has an active bow, which will give people the illusion that the bow is turning but not straightened. Therefore, beginners do not dare to straighten the bow. Moving too many joints on the body will cause the bow to not be straight.
 
Then another reason is that any joint, whether it is the wrist or the fingers, will still be relatively stiff at the beginning, because we usually don't use our hands like that, so we can use some special activities to help his movements change. be more flexible.
 
◈ The part where the right hand of the violin is holding the bow
 
The gesture of holding the bow is divided into two groups
 
The first is that the center of gravity is on the index finger, and the little finger hardly exerts force;
 
The second is that the center of gravity is on the middle finger, the fourth finger, and the little finger to help control the bow;
 
The ring finger is always placed on the bow naturally, without force