1.如何保持提琴的清潔?
 
      保持提琴清潔的途徑很多,最重要的是不要讓松香粉、汗水及塵末等不潔的東西積聚在提琴上。松香主要積聚在琴弦、指板及琴馬周圍的面板上,而汗水與其它的灰塵大多是在琴肩、琴頸及琴側板近腮托周圍的地方積聚。松香粉如不清除,日久積聚加上氧化後便會變成漆黑一片。汗水如不及時清除,其含有的鹽份對提琴會起極壞的腐蝕作用。所以拉完琴後,在將琴放回琴盒之前,一定要用擦琴布輕輕地把松香灰及汗水擦掉。
 
 
現在市場上有很多不同品種的清潔劑及拋光劑,這種比較商業化的東西其實對小提琴意義不大。小提琴的油漆並不需要像鋼琴或吉他那樣平整及發光發亮。如果用拋光劑把一把名貴的古琴擦得閃閃發亮,反而可能影響了該琴的真正價值。在琴的指板上,因日久積聚的松香灰會跟窄氣中的水汽結合,而後凝結成一層黑泥,較難清洗。如果不想交給有經驗的修琴帥傅清理,則可嘗試用少量酒精來將它抹去。但是千萬要小心,別讓酒精碰到琴身的油漆,否則油漆被酒精溶解掉,麻煩就大了。現在可以買一款提琴專用的擦琴油,能對提琴起到很好的保養與清潔作用。
 
2.如何避免提琴的損壞?
 
     好的提琴不光是一個使用工具,而且可以是一個古董,一個有很高投資價值的藝術品。所以,保護我們的樂器,讓它處於良好的健康狀態,是一個很值得重視的問題。
 
 
       雖然拜現代科技及工藝進步之賜,提琴的修復技術日益完善,但是有些提琴損壞後的修復不但所費不貲,而且其本身價值也會大打折扣。例如提琴底部音柱部位破裂,雖經修復,其價值也會損失50%~60%。如面板的音柱或低音粱部位破裂,其價值的損失也在20%~40%左右。如是琴弓的弓頭斷裂,則其損失在80%以上。
 
 
 
我們應如何避免提琴的損壞呢?首先,每次使用完樂器之後要立刻把它放回一個質料堅固的琴盒裡面,並把琴盒蓋好。十有八九受嚴重損毀的提琴都是在琴盒外發生的。另外,提琴最好要自己攜帶,萬不得已才去交付給運輸公司,而且要選擇信譽良好的運輸公司,並由具專業知識的人員包裝打包。在運輸過程中受損的提琴大多是由於不良的包裝。有些人認為把提琴放在琴盒里便可交給運輸公司,那就大錯特錯了。因為一般的琴盒的設計標準並沒有堅固到足以應付運輸中的意外情況。所以即使把琴放在琴盒子里之後也還是要讓有包裝提琴運輸經驗的人士來包裝處理.交付託運。如是好琴.最好再買保險,以防萬一。琴不能暴晒,不能雨淋,不能放在烈日下暴晒的汽車行李箱裡。冬天在家裡開暖氣時要在提琴裡放一條潮濕管。一般地說,越名貴的古董提琴,越容易受損,越要多加小心。
 
 
3.提琴開膠及琴板破裂怎麼辦?
 
 
 
提琴是由很多不同的部件膠合起來的。制琴師在一開始製琴時就沒有要把琴做得牢不可破,這是因為日後還常常可能要把琴拆開調整。所以提琴意外地開裂,固然需要立刻修復,但也不是一個值得大驚小怪的問題。
 
提琴較容易開膠的地方,經常是在底面板的中縫、面板、底板與側板的膠合處、弦枕、尾枕、指板等處。其中除了底面板的中央拼縫與底側板之結合處需要比較堅固的膠合,其它的地方在膠合時就預計日後還要重新打開,剛此其膠合的牢固程度不需也不應太堅固。因天氣潮濕或演奏者於汗較多而造成的開膠,就如衣服掉鈕扣一樣,是時有發生的小事。
 
如果制琴者用較新的木材來做琴,或者膠合時煮膠、用膠不當也是造成提琴開膠的原因所在。由於提琴開膠會嚴重影響音色,並且在樂器震動時間能發出令人不快的噪音;所以當有這種情況發生時,雖不用驚慌,但也要盡快交給專家處理,把琴重新黏合好。
 
 
其實不少新琴因有裂縫而打開修理後,聲音變得更好的情況也是很普遍的。因為開裂的地方,往往就是琴體張力最大的地方在打開修復再合回原處之後,其張力減弱了,因此聲音也更圓潤了。琴板一有破裂,應盡快找有經驗的技師立刻修理。那新的裂縫經巧妙的修補後是幾乎看不出來的,而且也不會影響音色。
 
 
 
4.提琴弦軸的注意要點有哪些?
 
 
裝得好的弦軸(琴準)應該是旋轉自如的。一般地說,如果弦軸太緊.便應塗上一種專門用於調節弦軸潤滑與鬆緊度的軸蠟使它們容易旋轉。如弦軸打滑,第一步可先試用軸蠟;如果用了軸蠟還不行,可以再加上一些松香粉。假如這兩種辦法都不見效,就要查看弦軸的軸錐斜度是否完全與軸孔的斜度相吻合。查試的方法是:把弦軸輕輕塞進軸孔裡(不能用力擠壓進去),然後上下左右輕輕搖動;如果弦軸是完全吻合的,那就一點點都不會搖動。反之,則說明弦軸與軸孔的吻合度有問題。這時就應該將琴交給專業人員重新校正。一般來講,只要原本的軸孔不是太大,就算足換一套弦軸,或重新調整弦軸、軸孔的錐度都不是什麼複雜的大問題。如果弦軸、軸孔的錐度不對,或原來的軸孔已經偏大,那就要對軸孔進行填洞重新開孔。這樣的修理就較費時費事,修理費自然也可能貴一些。因此要注意,新琴的弦軸以不是太粗為宜。
 
 另一值得注意的是:四個弦軸互相之間的角度要準確(特別是大提琴)。四根弦之間應有適當的空間而不會互相碰線摩擦。再者,琴頭的弦軸箱(匣)之底部也要有足夠的空間不會使琴弦擠壓在一起。如有以上兩種情況,都會造成琴弦的過早磨損與斷弦。在上弦的時候,每條弦的最後幾圈應該靠近弦槽的側壁。
 
 
 
 
 

音樂就是思想著的聲音。

Music is the sound of thinking.

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1. How to keep the violin clean?
 
 
There are many ways to keep the violin clean. The most important thing is not to let unclean things such as rosin powder, sweat and dust accumulate on the violin. Rosin mainly accumulates on the strings, fretboard, and tops around the bridge, while sweat and other dust mostly accumulate on the shoulders, neck, and sides near the chin rest. If the rosin powder is not removed, it will become dark after accumulation and oxidation. If the sweat is not removed in time, the salt it contains will have a very bad corrosive effect on the violin. So after playing the piano, be sure to gently wipe off the rosin ash and sweat with a piano cloth before putting the piano back in the case.
 
 
There are many different kinds of cleaners and polishes on the market today, and this kind of commercial thing is actually not very meaningful for the violin. A violin's paint doesn't need to be as smooth and shiny as a piano or guitar. Polishing an expensive guqin to sparkle may detract from its true value. On the fingerboard of the piano, the rosin ash accumulated over time will combine with the water vapor in the narrow air, and then condense into a layer of black mud, which is difficult to clean. If you don't want to leave it to an experienced piano repairer, you can try to wipe it off with a small amount of alcohol. But be careful not to let the alcohol touch the paint of the piano body, otherwise the paint will be dissolved by the alcohol, and the trouble will be big. Now you can buy a special oil for violin, which can maintain and clean the violin very well.
 
 
2. How to avoid damage to the violin?
 
A good violin is not only a tool, but also an antique, a work of art with high investment value. Therefore, protecting our musical instruments and keeping them in good health is a very important issue.
 

 
Although thanks to the advancement of modern technology and craftsmanship, the restoration technology of violins is becoming more and more perfect, but the restoration of some damaged violins is not only expensive, but also greatly reduces its value. For example, if the fret part at the bottom of the violin is broken, even if it is repaired, its value will also lose 50% to 60%. If the sound column or bass beam part of the panel is broken, the loss of its value is also about 20% to 40%. If the bow head of the bow is broken, its loss is more than 80%.
 
 
 
How can we avoid damage to the violin? First, put the instrument back into a sturdy case immediately after each use, and close the case. Nine out of ten badly damaged violins occurred outside the case. In addition, it is best to carry the violin by yourself, and only deliver it to a transportation company as a last resort, and choose a reputable transportation company, and pack it by a person with professional knowledge. Violins damaged in transit are mostly due to poor packaging. Some people think that putting a violin in a box and giving it to a shipping company is a big mistake. Because the design standard of the general piano box is not strong enough to cope with the unexpected situation in transportation. Therefore, even after putting the violin in the violin box, it is still necessary to let someone with experience in packing and transporting violins to pack and handle it. Delivery consignment. If it is a good piano. Better to buy insurance, just in case. The piano should not be exposed to the sun, not exposed to the rain, and should not be placed in the trunk of a car exposed to the scorching sun. Put a damp pipe in the violin when you turn on the heat at home in winter. Generally speaking, the more expensive the antique violin, the more easily damaged, the more careful it is.
 
 
 
3. What should I do if the violin is glued and the piano board is broken?
 
A violin is made of many different parts glued together. The luthier did not make the violin unbreakable at the beginning, because the violin may often be disassembled and adjusted in the future, so the accidental opening of the violin needs to be repaired immediately, but it is not a problem worth fussing about.
 

 
The places where the violin is easier to open the glue are often the middle seam of the bottom panel, the top panel, the glued part of the bottom panel and the side panel, the string nut, the tail rest, the fingerboard, etc. Among them, except for the joint between the central seam of the bottom panel and the bottom side panel, which needs to be firmly glued, other places are expected to be re-opened in the future when gluing. The glue opening caused by the wet weather or the perspiration of the performers is like a button falling off of clothes. It is a small thing that happens from time to time.
 
If the violin maker uses newer wood to make the violin, or if the glue is boiled or improperly used when gluing, it can also cause the violin to open. Since the violin glue will seriously affect the tone, and can make unpleasant noises when the instrument vibrates, so when this happens, although there is no need to panic, but also to the experts as soon as possible to re-gluing the violin.
 
 
 
In fact, it is also common for many new pianos to sound better after being opened and repaired due to cracks. Because the cracked place is often the place where the tension of the guitar body is greatest. After opening the repair and then closing it back to the original place, the tension is weakened, so the sound is more rounded. As soon as the piano board is broken, it should be repaired by an experienced technician as soon as possible. That new crack is almost invisible after clever patching, and it doesn't affect the tone.
 
 
4. What are the points of attention for violin pegs?
 
 

 
A well-installed peg (guidance) should be able to rotate freely. Generally speaking, if the peg is too tight. They should then be coated with a shaft wax specially designed to adjust the lubrication and tightness of the pegs to make them easy to spin. If the peg is slipping, you can try the shaft wax first; if the shaft wax is not enough, you can add some rosin powder. If these two methods do not work, it is necessary to check whether the inclination of the shaft taper of the peg is completely consistent with the inclination of the shaft hole. The way to check is: gently insert the peg into the shaft hole (do not squeeze it hard), and then shake it up and down, left and right; if the peg is completely matched, it will not shake at all. On the contrary, it means that there is a problem with the fit between the peg and the shaft hole. At this time, the piano should be sent to a professional for recalibration. Generally speaking, as long as the original shaft hole is not too large, even changing a set of pegs, or readjusting the taper of pegs and shaft holes is not a big and complicated problem. If the taper of the peg and the shaft hole is wrong, or the original shaft hole is too large, the shaft hole should be filled and re-opened. This kind of repair is time-consuming and labor-intensive, and the repair fee may naturally be more expensive. Therefore, it should be noted that the pegs of the new piano should not be too thick.
 
Another thing to note is that the four pegs must be at the right angle to each other (especially for the cello). There should be adequate space between the four strings without rubbing against each other. Furthermore, there should be enough space at the bottom of the peg box (box) of the headstock so that the strings will not be squeezed together. Both of the above conditions can cause premature string wear and string breakage. When winding, the last few turns of each string should be close to the side wall of the string groove.
 
 

音樂就是思想著的聲音。

Music is the sound of thinking.